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In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. You can say anything, you can do anything, but you can’t fake a thought.”Īnd here’s what I’m thinking: I don’t want to be here. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action.

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It kind of made my skin crawl in the moment, but it left me feeling like I was going to get all there was to get from it on a first viewing, and it didn't leave me wanting to watch it again to untangle its riddles.Now a Netflix original movie, this deeply scary and intensely unnerving novel follows a couple in the midst of a twisted unraveling of the darkest unease. Is it a good film? I think it's very good, but I will admit that it didn't linger in my head as much as I thought it would while I was watching it. It's a claustrophobic and deeply unsettling film, as much because of its aesthetics as because of its enigmatic mysteries. Until it's not and it's instead about Jessie Plemmons' character, who gets the final scene of the film all to himself, a rendition of the song 'Lonely Room' (again from 'Oklahoma!') during which he comes to the conclusion that the fantasies on which we build our lives don't exist and we have to take whatever we can to most closely approximate them. It's about women and their relationships with men. It's also about getting old without the comfort of believing that life has any purpose, or that there's anything waiting for us in the great beyond. I imagine different people will think it's about different things. What is 'I'm Thinking of Ending Things' about? If that's the first question you ask before deciding whether or not to watch a movie, you won't like this one.

Then there are the scenes set in Plemmons' old high school, where a janitor (Plemmons as an old man?) roams the halls and doubles of Buckley and Plemmons reenact the ballet scene from 'Oklahoma!' in the school corridors. Much of the rest of the film takes place in Plemmons' parents house, where David Thewlis and Toni Collette play versions of Plemmons' mom and dad at all ages, from perky housewife to doddering dementia to dying in a hospital bed, and host perhaps one of the most awkward dinners ever to appear in a film. These scenes give Buckley and Jessie Plemmons, also giving a terrific performance as her boyfriend, long exchanges of dialogue that tease out the dynamic of this particular relationship, and the dynamic between men and women in general, and a dissection of the film 'A Woman Under the Influence' (Buckley recites Pauline Kael's review of the film in character as Gena Rowlands), and includes a stop at an isolated ice cream stand, the film's most Lynchian moment, where a girl with a rash gives Buckley a vague warning. Much of the film takes place in his car, as they travel to and from his childhood home in an Oklahoma blizzard. Jessie Buckley, who gave an award-worthy performance in 'Wild Rose' last year, does so again here, as a woman meeting her boyfriend's parents for the first time.

Im thinking of ending things screenplay how to#

Charlie Kaufman channels David Lynch in this eerie, creepy relationship drama that really knows how to get under your skin.